Reviews:
Jered McLenigan perfectly captures Buddy's impetuous childishness and lack of self-control, as well as his sweetness and innocence. As Showers, Anthony M. Giampetro gives a sound surface reading of this decent, well-intentioned man, but doesn't offer much sense of the spiritually and personally troubled man within.
...the final scene is dramatically and theatrically stunning. Taking place in part underwater, it is so brilliantly imagined by Leonard and evocatively staged here that I'm sure it will stay in my mind long after the memory of the rest of The Diviners has vanished.
Douglas Keating
Philadelphia Inquirer
The Iron Age Theatre Company persistently produces quality theater. The director-designer team of Villanova University grads John Doyle and Randy Wise haven’t found a wide audience for their productions yet, but they deserve one.
Their production of the rarely-seen drama The Diviners reveals why. Jim Leonard Jr.’s powerful Depression-era fable of a mentally retarded boy who might have special powers and the former preacher who tried to save him is a splendidly complex, deeply moving play, and Iron Age reveals its strengths as well as their own. Jered McLenigan sincerely portrays Buddy, the boy whose lifelong fear of water, caused by his mother’s drowning while saving him, has made him a “diviner” – a finder of water.
A splendid ensemble creates the tiny town of Zion, Ind. With grace and conviction. Markus Zanders and John Fidler play bumbling farmhands; Melissa diLeonardo is Jennie Mae’s precocious friend; Linda Palmarozza, Linda Newsted, and Susan Paige Lane are the women demanding a church; and Ray Saraceni plays a big hearted farmer. All bring small, sweet scenes to life with touching detail, building a foundation that makes the play’s proportions – which approach Greek tragedy in its stunning climax – genuine and forceful.
Doyle and Wise work miracles in Montgomery County Cultural Center’s tiny theater, with a set suggesting Indiana’s parched rolling hills, bold, evocative lighting and gentle music underscoring the play’s richness.
Mark Cofta
Main Line Ticket
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